The Story
LP - Remastered & Cut AAA directly from the original analog tapes by Matthew Lutthans at The Mastering Lab.
Pressed on 180g black vinyl at Optimal Media and housed in Stoughton Old Style® Tip-On Jackets.
Released at the height of his cosmic creative powers, Cosmos Nucleus finds Panamanian saxophonist Carlos Garnett expanding his bold vision of jazz as liberation, healing, and outer-space expression.
A potent mixture of modal vamps, psychedelic textures, Afro-Caribbean rhythms, and transcendental vocals, the album bridges the earthly and the astral with a blend of conviction and groove.
This is Afrofuturist jazz at its raw and visionary best.
Remastered & Cut AAA directly from the original analog tapes by Matthew Lutthans at The Mastering Lab.
Pressed on 180g vinyl at Optimal Media and housed in Stoughton Old Style® Tip-On Jackets.
Including an insert with newly written liner notes by Shannon J.
Effinger and Barney Fields with rare photograph by K.
Abe.
Details & Craftsmanship
Every detail has been carefully considered to bring you the perfect product.
Description
LP - Remastered & Cut AAA directly from the original analog tapes by Matthew Lutthans at The Mastering Lab.
Pressed on 180g black vinyl at Optimal Media and housed in Stoughton Old Style® Tip-On Jackets.
Released at the height of his cosmic creative powers, Cosmos Nucleus finds Panamanian saxophonist Carlos Garnett expanding his bold vision of jazz as liberation, healing, and outer-space expression.
A potent mixture of modal vamps, psychedelic textures, Afro-Caribbean rhythms, and transcendental vocals, the album bridges the earthly and the astral with a blend of conviction and groove.
This is Afrofuturist jazz at its raw and visionary best.
Remastered & Cut AAA directly from the original analog tapes by Matthew Lutthans at The Mastering Lab.
Pressed on 180g vinyl at Optimal Media and housed in Stoughton Old Style® Tip-On Jackets.
Including an insert with newly written liner notes by Shannon J.
Effinger and Barney Fields with rare photograph by K.
Abe.
